SPACEFORMUSIC.COM CONCERTS
PRESENTS the 1st ANNUAL SPACE FOR MUSIC FESTIVAL for the NEW MILLENNIUM

CLICK HERE FOR INFO ON this year's 2002 Festival

The festival stage cluster of keyboards, guitars and gearamania.

 

 

2844 N. Oakland Ave.
Milwaukee, WI. 53211
Phone: 414-299-0435

 

CLICK HERE FOR MAP and MORE INFO about the MIRAMAR THEATRE

UPDATED JUNE 7th, 2001

SpaceforMusic.com Concerts presented it's first annual space music festival for the new millennium, Space for Music Festival 2001 in Milwaukee, Wisconsin! The collective of musicians for this year’s event are all well established in the field of space/ambient music. There are actually nine artists that will be represented in five different sets. The artists are Giles Reaves, Vir Unis, Interstitial, Paul Vnuk, Jr & Chris Short (Ma Ja Le), James Johnson, Tony Gerber | John Rose | Diane Timmons (Spacecraft, also including Reaves.) All of these artists have CDs released or are represented by the Space for Music Records label and have many other Cds released nationally and internationally through other labels. They are some of the finest space/ambient musicians working in the US today. Performances will also include visual projections from several of the artists including computer animations from award winning animator, David Turner. Also featured will be original paintings by Chris Short of Ma Ja Le. Chris' work can be seen on the poster at the left.

Event producer, Tony Gerber, has executed several multimedia coupled with electronic music gatherings since 1986. These were in the Middle Tennessee area and Atlanta, GA. This is the first time a festival has been done outside of the south. The concert experience and visions of Paul Vnuk, Jr. & Chris Short in the Milwaukee area coupled with Gerber’s festival experience and Space for Music organization makes this a reality. The execution of an event like this has been aided by the advent of the internet and created the ideal situation for networking together like-minded artists. Because of this networking all of the artists performing are able to work together to make this event happen via the power of the web. The website MP3.com has also shifted the musical paradigm in such a way that many of these artists have been brought together musically through the mp3.com and SpaceForMusic.com website.

Look forward to an extensive collection of merchandise to be available from these artists including products not readily available elsewhere, in addition to festival specific items.

 

 

SCHEDULE


6:00pm to 6:45pm - Giles Reaves
7:00pm to 8:00pm - Vir Unis w/special guest Interstitial
8:15pm to 9:30pm - Ma Ja Le / J. Johnson
9:45pm to 11:00pm - Spacecraft

 

 

 

PHOTOS by GILES REAVES

Ma Ja Le's Chris Short on electric guitar, also a happening artist and painter

 

Spacecraft's John Rose tuning up the mountain dulcimer for an interstellar trip.

 

Deirdre Reaves tweaking her rig for the duo performance with husband, Giles Reaves

 

Emma Smith in full musical mode.

 

Spacecraft's Diane Timmons at a relaxed moment.

 

James Johnson with Paul Vnuk, Jr. in the background during set-up for the event.

 

Paul Vnuk, Jr. with Deirdre Reaves in background getting all the gear in order.

 

Festival catalyst and Spacecraft member, Tony Gerber at a restful moment.

 

Vir Unis assembling his musical starship for the evenings show.

 

Travis (the visual engineer) and Tony Gerber on the titanium working up visuals to accompany the music.

 

BIO BRIEFS of festival artists

Giles Reaves

An accomplished high-tech engineer, and multi-instrumentalist, his musical career has been built upon chance encounters. Reaves now considers fate his friend.

Reaves, whose third solo album, "Sea of Glass" rode high upon the new age record charts, began recording albums of soothing, ambient instrumentals because a top Nashville producer, Tony Brown, accidentally overheard him doodling late at night in a recording studio in the mid-1980s. Brown invited Reaves to record synthesized instrumentals for the MCA Master Series. The resulting albums gained some recognition among space music fans ("Wunjo" is considered a top ten electronic album of all time by Electronic Musicican magazine) but received little record company support or distribution.

In 1993, Steven Hill, producer of the nationally syndicated "Hearts of Space" radio program, contacted Reaves. Hill said he still received mail from fans of his show who were seeking a copy of "Wunjo". Since his record deal with MCA had expired, Reaves had a new album of material that interested Hill, and the resulting CD, "Sea of Glass", released on the Hearts of Space label has been his most successful to date, spending four months ranked among the most popular discs on the new age charts.

Reaves has yet another guise, one that has nothing to do with space music. He has become a leading engineer and co-producer on the Nashville rock scene, working with such hard-hitting grunge rockers as Dessau and the Grinning Plowmen and collaborating on projects with melodic rockers Bedlam, Tom Littlefield, Bill Lloyd, Lisa Germano, Jaime Kyle, Lounge Flounders, and Afrikan Dreamland.

Reaves was an original core member of the Space for Music team since 1986 and has worked with Kirby Shelstad, another core member, on live performances and recordings. He also appears on Lektronic Soundscapes' "Blue Western Sky" by Tony Gerber and 4 of the Spacecraft releases. He has currently released a new solo CD, "Sacred Space" on the Space for Music Record label. Another release with fellow musician, Aashid Himons, entitled "The Deep End" is planned for release this summer. Giles also experiments with 3D renderings and has had several images used on CD cover artwork. Watch for more incredible music from this talented multi-instrumentalist.


Ma Ja Le

Ma Ja Le are Christopher Short (Electronic Guitars and Flutes) and Paul Vnuk Jr (Synths, Percussion and Voices). Using live improvisations, loops and studio wizardry, Ma Ja Le create exotic, dramatic, tribal-space sound worlds.

Ma Ja Le released their first CD "Dreams In The Orchards Of Saturn" in 1995. "Dreams..." chronicles the birth of Ma Ja Le in more ways than one. Besides being their debut CD, "Dreams" was recorded at their first four live performances. This CD captures the original raw, creative spark of improvised music. The music on "Dreams" was recorded live to DAT with no further studio dubbing or manipulation. "Dreams" has recieved fantastic reviews in Wind and Wire, Amientrance and Ujaama's Ambient Experience to name a few. Rarely does a debut CD (especially a live one) contain such a high artistic level of music.

Three years later after cutting their teeth in live performance (including concerts opening for Trance Mission, Steve Roach and Robert Rich), Ma Ja Le teamed with Vir Unis to create "Imaginarium." This tribal ambient classic mixed and produced by Steve Roach, debuted at #2 on Nav's top 100 charts.

In 1999 Ma Ja Le released exclusive tracks on the Hypnos "Weightless and Effortless" compilation and the now rare Halcyon records release "Oscillations."

In 2000 Ma Ja Le teamed with master minimalist James Johnson for a series of live concerts and a highly praised limited edition CD, "Live Under A Harvest Moon" (limited to 150 copies world wide, complete with original signed and numbered mini art prints).

Later this year / early 2001 Ma Ja Le and James Johnson continue their collaborative effort with "Seed" a truly amazing work of power, beauty and erotica.

James Johnson

With a drive to mold and create organic textures & atmospheres with past and current technologies, James Johnson continues down the path of sonic exploration using computer based software synthesis & sampling technologies alongside traditional acoustic instruments. The atmospheres created, surround and unfold in a sea of timeless tones and textures. His unique voicing can be heard on award winning works such as "Unity" & "Surrender" alongside collaborative efforts and compilation tracks. His latest release "Entering Twilight" is created for continuous playback to enhance the listeners environment with an amorphous, and at times almost transparent, background of sonic imagery.


Vir Unis

Synthesist, drummer, sound sculptor and electronic groove creator Vir Unis creates aural compositions and soundscapes in the world of atmospheric / tribal / ambient music. With an emphasis on rhythm and pulse, underpinned by deep synthesizer drones and ethereal textures, Vir Unis realizes music that moves between the organic intensity of ever evolving fractal grooves and the harmonic complexity of mist strewn sonic atmospheres to stimulate the mind and soul. For more info, complete discography, and upcoming events go to www.virunis.com.


Interstitial

As Interstitial, John Koch-Northrup creates ambient, pulse, and experimental music. His music varies widely including songs focusing on subtle changes in sound and texture, heavily processed drums, melodic jazz-influenced work, and noise experiments. He's played piano for 25 years and has played bass, keyboards, and trumpet in a number of central Illinois' bands.


SPACECRAFT

Spacecraft is Tony Gerber (guitars & synthesizers), Giles Reaves (synthesizers & processing), John Rose (synthesizers, flutes, harmonica, dulcimer & vocals) and Diane Timmons (synthesizers, flute & vocals.) The project "Spacecraft" was born in 1996 after a listening session of NASA image and sound mappings from the Voyager space probe. Tony Gerber and John Rose were so inspired by these recordings, they programmed a new palette of sounds for their synthesizers, triggered from these listening sessions. Next, they called on the talents of Chris Blazen and Diane Timmons to join them for several recording sessions that emerged as the self-titled CD, "Spacecraft". They have released seven more Cds since that first critically acclaimed release. Giles Reaves joined them for their past 4 releases and on their spring 2001 tour. Spacecraft's music is improvisational in nature. Each concert they do is different. They traditionally perform in planetariums, churches and other unusual architectural spaces. It is in the spirit of live performance that this group feeds on.

 

 

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